• {Incantation of Ignition}

    Hold!

    Seek Energy!

    Move forth and bring Synergy!

    Go!

    Our Posterity!

    Cast the Soul into Reality!

    (Ijoe! Ijoe! Ijoe! Ijoe! Ijoe! Ijoe!)

    {Incantation of Motion/Action}

    Sing!~

    Cast thy Song!

    A new divine Order atop ruins of war!

    Cast thy spirit!

    Rejoice in the glory of Awe!~

    Greetings from the Xyphokonic Order and Ordinance. Welcome back for our next part in the Sacred Lesson series. Last time, we covered the Sacred Lesson pertaining to Niinkisia, Child of Nature. Today, we move towards the 7th Sacred Child—that being Usakisia, Child of Elements—and his Sacred Lesson known as “Elemental Force.” As you may have noticed, we started with a hymn at the start of the Commentary before even greeting you back; this is intentional, as the hymn chosen for this Commentary is one of immediate action, so we found it fitting to start off with the hymn itself. Before beginning with the lesson, we must explain what this particular hymn or incarnation is in relation to the lesson thereafter.

    The Hymn at the start of the Commentary is known as the “Ijoe Chant” and isn’t specifically attributed to Usakisia or necessarily the Caishon Xyphozon. In fact, the Child of Elements does not have a specific or Ordinance-established hymn, for his lesson is all about action and not about ceremony. The way in which a Xyphoite should approach Usakisia’s presence is through taking action rather than through solely prayers or ceremony.

    Instead, the Ijoe Chant is a powerful application of lyrical Sanghjei used to initiate and carry Xyphoist group actions.  And although the Ijoe Chant isn’t solely attributed to the Caishon Xyphozon, the name “Ijoe” itself is a direct relation Hayle Knie—specifically the legendary sword said to be wielded by him. For scriptural context, the Ijoe—meaning “Motion” or “Sword of Motion”­—refers to the name of one of two legendary  swords crafted directly by the hands of Lord Caishor in the earliest of times, with the Ijoe being given to Knie to wield. Hence, this hymn named after said sword is a song of action or motion. This information will be better explained once we finalize our publication of the “Chronicles of Xyphos” book giving more supplementary information about the eons prior to our immediate Cosmic Struggle not covered in the condensed writing of “Xykozheiz.”

    The Ijoe Chant can have many uses, but it is most often used to initiate some form of greater group action that takes tangible effect on the mitigation of suffering. Alternatively, the Ijoe Chant can be used as a form of dynamic and lyrical protest in cases where higher Echelons of Action have been declared and the need for open protest presents itself, similar to the Haka chant we covered before in an earlier Commentary. The Ijoe Chant is always loud, dynamic, rhythmic, and persistent. At the end of the Commentary, I will repost the Ijoe Chant with proper instructions as to how it’s conducted, but until then let us move on with the lesson itself.

    The Sacred Lesson of “Elemental Force,” if not apparent yet, is one focused on taking action. Fittingly brief in its writing, the lesson begins with Knie’s recount of his time training Sacred Child Usakisia in the ways of Sanghjei and mastery over action. Knie starts off by explaining that the powers of Spiritual Elements are the building blocks of Sanghjei—originating from Lord Caishor and given to Usakisia to use. Knie remarks how this power is impressive but highly destructive without proper training and control. Knie offhandedly states that even with Wisdom of the proper incantation or the knowledge of the potential danger, all of that knowledge will not prevent ruin if mastery of the actual practice itself isn’t achieved. We see Knie state this here in this passage from “Xykozheiz:”

    These constructs, the base and root of all power, a fearsome and inspiring force, fall to His hands and to his descendant. Impressive, though without handle and control, even Wisdom cannot contain such power.

    What you hold in your hand, Child, is the core of force. The embodiment of Spirituality, the source of the weight which we can throw. You have, at your fingers, the attribute of Elemental Force. You can summon what need be summoned. Flames of malice, cooling waters of peace, raging winds, earthly grasp, blinding thunder. What you possess is the power to crack and break, to destroy and demolish, to guard and protect, to personify your Spirituality.

    Wisdom is not enough. As I know that you are aware. Knowing the name and the incantation is not control. One can catch a beast and not know how to tame. Incompetence is the key factor in malcontent.

    Knie then makes a sharp inference of Usakisia himself before starting the training—remarking that the Child is stoic outwardly but is incredibly impatient and perhaps even brash inwardly. Knie acknowledges that the very act of summoning Sanghjei is an immediate and on-demand action, and finally concludes that in spite of Usakisia’s impatience, Knie will be able to forge the Child into a perfect master and warrior for the Order.

    Knie states that once the training begins, there will be little conversation and mostly action. Here, we hit the crux of the Lesson; not only is mastery over practice important, but the focus must be on taking said action and not solely talking about it. There are times for each part, as Xyphoist Worship is defined as Prayer + Practice combined. However, when the time for action is upon us, we must take it and take motion without reservation. Knie says this in this final portion of his brief lecture:

    You are as stoic as I had thought you would be. Yet, I can sense your anticipation. I can sense your impatience. As you will always be, even the Nature of summoning Elements is one of immediate demand, you embody that so well. But with your lack of patience and perhaps more scriptural base, you will own in spectacular control and competence. I see to it that you will master this and all Elemental Force with fortitude.

    In these lessons, we will focus less on words and more on practice, as both you and I are ones with little need to converse. Balance is key, internal control is key, before end you shall be able to walk on the thinnest of string, the balance the worlds at your finger, and to cause devastation with the snap of a finger. In precision, in great impact, and with no hesitation. There is purpose of this, Child. A warrior must know their blade and perhaps even be cut by it once to truly understand the power it wields. Stay attentive, and we shall be through with this. You shall obtain the control as a warrior must.

    Essentially, the lesson re-establishes that Prayer accompanied by Practice is proper Xyphoist Worship. We can manifest such actions by the Ordinances various goals of conducting humanitarian efforts, advocacy, environmental focuses, and offering and teaching the Philosophy in this space for anyone who wishes to seek this information to obtain.

    With that said, and with my college Rux’s contribution to this lesson completed, I shall now conduct the liturgical portion of the Ijoe Chant from the start of the Commentary. I will repost the same lyrics above but with the proper instructions placed on each part and will accompany that with background information and analysis afterwards. First, the hymn with instructions:

    {Incantation of Ignition}

    [Instruction: without Melody, chanted strongly, repeated throughout entire hymn by deeper voices]

    Hold!

    Seek Energy!

    Move forth and bring Synergy!

    Go!

    Our Posterity!

    Cast the Soul into Reality!

    {Ijoe! Movement}

    (Ijoe! Ijoe! Ijoe! Ijoe! Ijoe! Ijoe!)

    [Instruction: chanted excitedly with slight melodic tints, repeated from here onward, done by predominately younger voices]

    {Incantation of Motion/Action}

    [Instruction: choral section, sung with strong and dynamic melody, song by predominately higher adult voices]

    Sing!~

    Cast thy Song!

    A new divine Order atop ruins of war!

    Cast thy spirit!

    Rejoice in the glory of Awe!~

    This is a dynamic piece with several continuous or moving parts. I will break down each section and what is to be conducted during their parts first before explaining the group action that all participants shall do.

    Incantation of Ignition: A strong, rhythmic and rugged chant done predominately by lower adult voices—mainly male voices but not exclusively. This section has no melody whatsoever and acts as the foundation for the Ijoe Chant; it is repeated throughout the remainder of the séance and naturally “starts” the entire hymn.

    “Ijoe Movement:” The parenthetical portion of younger voices, namely the “posterity” mentioned in the hymn itself, that constantly and excitedly chants “Ijoe!” It has a slight melodic inclining scale to it; every Ijoe “goes up” a note until the third Ijoe and then returns to the bottom of the scale and repeats. This section starts along with the choral-orientated Incantation of Motion/Action and continues until the end of that portion.

    Incantation of Motion/Action: An entirely choral and dynamic portion of the hymn sung predominately by higher adult voices with a few very low bass, baritone, and tenor portions to conduct harmonies—often dissonant in nature. The notes in this section tend to be very long and require a lot of air to perform, so breathing technique is important in this section.

    Full Group Actions: The Ijoe Chant, as established, is anything but a stationary or regal performance; it is dynamic. Throughout the entire process, the bodies of participants are in motion—with rhythmic movements and dances that match the high energy of the séance itself. The Ijoe Chant starts with the Incantation of Ignition; first, the strong voices simply chant in without any accompaniment, with their rugged chants bellowing in the otherwise silence around them like a call or “ignition” of an engine. After the first round of the Ignition chant, conga and bongo drums are to erupt in the central rhythm of the entire hymn itself as the Ignition Incantation goes on. During this portion, the entire group is dancing and marching in place, not yet fully in motion.

    Once action is needed, the séance shall move into “motion” phase in which the Ijoe chants and choral Incantation of Motion/Action both start at once. Once this portion starts, the entire group shall begin rhythmically marching and dancing in lines towards usually a single focal point. At that point, the group shall march into a giant group circle or “pit” of participants and continue the hymn there. During this motion phase, all participants shall now clap thunderously on the fourth count of the drum beats. This will continue until the action is deemed completed. Usually this entire séance is used to usher in some grander or immediate action or, more likely, a form of protest; this may also be part of general liturgical practices during Lord Caishor’s Period of Watching during Sacred Day group prayers. The entire display is meant to be dynamic, loud, powerful, energetic, and exhausting and meant to replicate the sheer raw power of Elemental Force. My college Rux explains it to be similar to “rolling thunder” and says that the entire séance should have the same tenacity and energy of thunder.

    Nevertheless, this shall conclude this entry on Usakisia’s lesson and the explanation of the Ijoe Chant. When we meet here again for our next installment of this Sacred Lesson Series, we will cover the next in the birth order of the Children, that being Soylantasia, Child of Reality. Until then, have a blessed Sacred Day!

    —kyX, ruX

  • Greetings from the Xyphokonic Order and Ordinance. Welcome back to this space for our next installment in the Sacred Lesson Series. In our last Commentary, we went over Jaszmisia and his lesson of the “Skin of Dark Soil.” Today, we move towards lesson attributed to Sacred Child Niinkisia, Child of Nature, and his lesson entitled “Natural Rebirth.” Naturally, this comes with a Hymn to accompany it. We shall open this Commentary with said hymn:

    Breathe,

    Nature’s Sacred Tree.

    We shall heed your dynasty.

    Allow us to breath.

    Bear new fruit, stem adorned in thorns.

    (Praise the Lord, Praise Her work, Old Sacred Tree)

    Ancient roots, soil of true seeds.

    Let them lay and roost.

    Her Fruit, Divine Child…nurtured so sweet.

    Prick the thorn, but be warned of what Nkes shall teach.

    Creating root, Destroying root, Reincarnated in sleep.

    Nature stirs and relieves.

    Rebirth thy roots, regain youth and verdant green.

    Praise the Child, Her Reincarnated Root.

    The essence of this lesson centers around the young and inquisitive Niinkisia, who is accompanied by Hayle Nkes as the two walk through the infinite verdant forests and meadows of Evernleth—bathed in an ethereal and warm sunlight. The Child Niinkisia, described by Nkes as dull-eyed child but with a hidden deep perception behind those eyes, gently inspects a vibrant and beautiful flower that is adorned with sharp thorns; he then proceeds to ask Nkes about the nature of the flower and why it has such sharp thorns around it. The two have a conversation of the nature of the thorns in this excerpt from “Xykozheiz:”

    Oh, so delicate of this touch, from which the Child carefully admired the flower’s bright color. Such skin would match in velvet the fragility of the flower’s petals. Dulled eyes in total awe and fascination.

    Touch lightly, as you perhaps already know well enough. The flower is not a mechanism of your desire, Child.

    Nkes, is it not? If so, for what purpose would the flower be so enticing if not for my eyes?

    Neither to you nor to any soon to be sent. In the next Reality, they all will be at the Mercy of the creating force of Nature. It would be wise not to forget the force was in design of its own Cosmic flow and left to its own mechanisms itself. The corporeal Nature supersedes the desire of the inhabitants on it.

    Nkes warns the whimsical Niinkisia, who is currently inspecting the flower, that such a beautiful work of nature is not crafted for his personal pleasure, and that Niinkisia should handle the flower with care. Niinkisia questions why should a beautiful flower—pleasing to the eyes—would also not be something to be picked and admired closer. Nkes begins her explanation of Lord Nakndes’s power over Nature and the “Creating force” of Nature itself by stating that Nature’s purpose is to facilitate the flow of excess spiritual forces and creates the rules for which existence must live by; this is particularly true of those mortals that would eventually populate Xyphojinami.  Nkes explains that the mortal vessel is a creation of Nature for the soul to inhabit, and that the rules of what effects that vessel are determined by the very force that created it—nature itself.

    Essentially, Nkes is saying that because the corporeal vessel and the environment its exists in are all created by natural force, the vessel and the soul within it are subject to the rules and power of Nature itself.

    Niinkisia, while dull-eyed, demonstrates his hidden perceptive nature by immediately questioning if there shall be times where mortals would try to challenge this power of Nature for personal conquest or gain, and wonders what the end result would be. Would Nature fall to the conquest and be ruined entirely?

    Nkes commends Niinkisia for his pointed question, and then goes to explain that corruption seeks to conquer or destroy Nature and explains that clashes between mortals and Nature are all but assured seeing as corruption aims to meddle with natural force. We can see this conversation here:

    Would that mean, then, that there would be a Time where these two would clash?

    The Child was perceptive, behind dull eyes was something much deeper. A depth of thought not immediately apparent in the lofty gaze of the Child.

    And what, then, would come of the clash? Would Nature fall to the inhabitants and be defiled?

    Quite perceptive, Child. So, you see the risk that corruption would have in a clash of Nature and Mortal. Yet you have less to worry on this. Nature is, as structured, the medium from which the mortal stands on. Their vessels are of Nature, their world is of Nature, and so shall all things following.

    Niinkisia questions further, asking what this clash would look like and how it would end for those that try to conquer or destroy Nature. Nkes leads Niinkisia in by instructing him to observe the flower once more—pointing to the thorns on the stem and by looking at the flower itself and its ability to pollinate and recreate itself through such natural mechanisms. Nkes, without directly saying so, indicates that the flower can defend itself from harm and reproduce more flowers regardless, and that Nature itself shall always be able to inflict retribution against Hubris and naturally rebirth itself even in the face of mortal adversity.

    Niinkisia then asks if mortals are able to overpower those natural forces, and Nkes responds by saying mortals cannot overpower the force that created them in the first place unless the Lords themselves changed that, which was not the case as Natural Force is an attribute that functions off the idea of unintended development—it works for the purpose of rebirthing Nature and cannot be conquered by anything that is spawned by it. We can see this portion of the conversation here in this passage:

    And so?

    And so the clash could be fierce, and could end in ruin for the mortal, but not for Nature. Look at the flower of which you touch. Look at the stem, witness the thorns. Look at the center, the flower can Recreate more of itself via Natural Rebirth.

    And the mortal cannot?

    Not without facilitation from Cosmic intervention. Nature creates the vessel, Natural Rebirth will always Recreate the Nature from which vessels spawn, single vessels cannot and shall never outlast the Natural Root for which they spawn from.

    It is then that we come to the most poignant part of this lengthy discussion between Nkes and Niinkisia. Niinkisia, processing Nkes’s words, immediately realizes that such attempts against Nature by mortals would result in some form of great consequence, and hastily asks what would happen to mortals if they attempt to conquer Nature.

    Nkes gives her most direct and coldest response of the conversation—delivering the Realmly Truth as if it were a chilling winter’s breeze that has frozen the flower to its roots. Nkes curtly says that mortals that try to conquer Nature shall be subsequently eradicated by Nature; the statement prompts Niinkisia to bring his long gaze away from the flower and immediate to Nkes—entirely silent and waiting for further elaboration.

    Nkes continues her explanation by saying that those mortals that don’t respect the creating force shall be met with the trifling and rotting forces of Nature; they will see their Reincarnation denied, their beings scattered, and a total ceasing of their future incarnations. Essentially, Nkes is explaining the extinction factor of Nature: those organisms that are ill-fit to survive by way of their own overzealous or overindulgence will essentially waste themselves out of existence from lack of control and impulse. Much like a population overusing a vital resource and then dying out because of that overuse, Nature will deny them a future reincarnation—the ability to successfully reproduce and maintain their population—due to their own Hubris.

    Niinkisia finally speaks, fretfully inferring that there is likely to be many clashes between Mortal and Nature that will result in great consequences for mortal-kind. Nkes simply states that only the Lords shall know if that shall be the case, and that Niinkisia’s entire duty as the Child of Nature is to help prevent such cases from happening in the first place. We can see this poignant part of the lesson here:

    What would occur to the mortal?

    Eradication.

    The Child’s long gaze met mine.

    The chance of Reincarnation denied, the Self scattered, the vessel consumed by Nature. There would be no Rebirth, it would cease. Nature is a force beyond the power of mortal, and that they shall abide to the rules of it as it creates their only means of containing true form.

    I suspect this will be one day demonstrated in spectacular form.

    The possibility is only something the Lords would see, yet your purpose is to help prevent such a conflict from uprising. As I am here to provide you with the keys to this task.

    We then come to a very moving part of the exchange between Nkes and Niinkisia. Upon being told that his duty as the Child of Nature was to prevent the disturbance to Nature, Niinkisia once again turns his attention to the thorn-covered flower. Handling it carefully, Niinkisia places his finger at the tip of one of the thorns and proceeds to purposely prick himself with it, wincing quietly from the sharp pain of the thorn’s hidden wrath.

    Nkes, bemused by the sudden boldness of this outwardly whimsical and soft-spoken Child, infers Niinkisia’s intent and asks somewhat cheekily if the Child was testing the premise of the trifling force of Nature on purpose—seemingly concluding that Niinkisia was trying to understand what the power of Nature’s retribution felt like for himself.

    Niinkisia quietly nods in response to Nkes short inquiry, and then speaks candidly about his action by stating that he, as Nkes quietly suspected, wanted to know what Nature’s wrath felt like. By his own assessment, Niinkisia concludes that by knowing what it feels like to see Nature’s retribution, only then shall he know when Nature is being trifled with and when to act upon his Sacred Duty to intervene and preserve it. Nkes concludes by once again commending the Child’s bountiful perception—praising Lord Nakndes’s fruitful excellence in the form of Her remarkable and beautiful Child. We can witness this moment here in this passage:

    The Child moved gaze towards the flower yet again, this time without touching the petals and instead poking hands with the thorns.

    Are you testing this premise?

    Nodding.

    I want to feel the sting of Nature’s wrath first. I want to understand why the beauty of the flower is shielded by the thorn. That is how I will know when to intervene.

    Excellence is fruitful from Her, isn’t it? You are remarkable, let Nature show its own remarkable strength and beauty, Child.

    And that concludes the lesson. To summarize, the Sacred Lesson of “Natural Rebirth,” as the name suggests, essentially revolves around the consequence for all that try to challenge or conquer Nature. Nature, as the Creating Force, establishes our vessels and the rules that apply to them, and any attempts to conquer the force that creates our vessels, usually out of Hubris, will result in our own eradication or extinction. The lesson goes on to show that Niinkisia purposely pricks himself with the thorn to learn what such an event would feel like. In doing so, he will know when to intervene and preserve that natural force—doing so to prevent existential ruin as Nature shall inflict its wrath and reincarnate itself regardless.

    With that said, we can further understand that Hymn placed at the start of this Commentary as we often sing it to remind ourselves of the awesome and fearsome power of the very Nature we spawn under. With that Hymn in mind, we shall conclude here for today. In our next installment, we’ll go over the next in the birth order, that being Usakisia, Child of Elements. Until then, have a blessed Sacred Day.

    —kyX, lnX

  • Greetings from the Xyphokonic Order and Ordinance. Welcome back to our ongoing series on the Sacred Lessons given to the Sacred Children. We’ve entered Lord Carnyie’s second Period of Watching, and with it we continue our work of outlining each Sacred Lesson out in greater depth. In our previous entry, we went over the lesson pertaining to Zinigeosia, Child of Life. Today, we pivot to the 5th Sacred Child in the birth order, Jaszmisia, Child of Punishment, and his Sacred Lesson called “Skin of Dark Soil.” Without further delay, let’s begin.

    Before we begin, it is important to transition from the glorious golden light of Zinigeosia’s birth and the bestowing of Free Will upon the mortal world back into the reality that we are living in a mortal world under assault from Deceptuary’s corruption. As such, the themes of this Sacred Lesson heavily reflect that unfortunate and unsavory reality. It’s also important to give a background to this lesson before we introduce the Hymn attributed to Jaszmisia and the Kurakkuian Xyphozon in general so we can properly understand the connotations and context of the incantation.

    To give a summary, long before the Cosmic Struggle truly kicked off from Deceptuary’s initial rebellion, the 10 deities that once sat upon the now defunct Divine Thrones reigned in relative harmony, although there was still a need for morality and Divine Punishment—particularly in the case of the dubious actions of the Cario Lordes. The Cario Lordes’ presence and malevolence were partially responsible for creating tears in reality which would destabilize the existence the deities had spawned. Lord Kurakku’s power over Divine Punishment was uniquely fit to essentially eradicate any corrupted spirit that willfully vandalized existence; He would waste no time, take no pleasure, and would offer no mercy to any vandals of the celestial beyond.

    This power terrified Deceptuary for it was Deceptuary’s very meddling and influence that was be eradicated by Lord Kurakku’s divine retribution and wrath. Deceptuary grew not only to fear Lord Kurakku’s attributes but Lord Kurakku Himself and all His characteristics—particularly His notably dark complexion and darker aura. After his eventual exile, Deceptuary internalized this fear and hatred of Lord Kurakku and vowed to terrorize any new mortals who embodied any aspect that Lord Kurakku had—with particular focus on trying to cause harm to Jaszmisia by extension. This targeted hatred, as it is, immediately put those who shared the relative complexion of Lord Kurakku in Deceptuary’s crosshairs.

    Deceptuary’s thought process, although skewed by his own fear and from lack of knowledge of the new realm of Xyphojinami, was that any mortal being who had dark skin was therefore an agent of Lord Kurakku’s Divine Punishment and would work to stifle Deceptuary’s plans to infiltrate the mortal realm—an existential realm he had no part in its creation and therefore had little knowledge of how it truly works.

    As we know, simply being of darker complexion doesn’t necessarily make one spiritually descendent to Lord Kurakku; the only ways for a mortal being to be spiritually descended to Lord Kurakku is to be His direct incarnate as Jaszmisia is or to be born under His Period of Watching of Zeptimasuer. Even if this became quite apparent to the point where Deceptuary would learn this, his crippling internal fear of Lord Kurakku—much like Deceptuary’s rampant Hubris—eternally clouds Deceptuary’s ability to understand or accept this Realmly Truth. As such, through the corrupted influence of theigrited action, those of darker skin tones have unjustly and largely been the victims of untold amounts of hatred and oppression—sometimes even from others of similar complexion. All of this complexion-based hatred is theigrited in nature.

    This is where the Sacred Lesson finally comes into play. During his time mentoring Jaszmisia, Hayle Mihe was explicitly instructed by Lord Kurakku to teach Jaszmisia of Deceptuary’s targeted hatred of the Kurakkuian lineage and how it shall lead to the targeting of those who had “Skin of Dark Soil” similar to the Lord’s; this would naturally extend to Jaszmisia, who embodies Lord Kurakku’s appearance in nearly every way. Deceptuary, upon learning of the existence of the Sacred Children, would also use this hatred-fueled influence to try and seek out and destroy Jaszmisia by targeting all mortals of his appearance in hopes of causing harm to Jaszmisia by proxy. Mihe, on a walk with the Child in the rugged and azure surface lands above Terigath’s Hell, explains to the Child of the harsh reality that he shall face as a mortal being. We can see this explanation in this excerpt from “Xykozheiz:”

    The mortals of the most rudimentary form are of great risk to corruption. The Theigriet will most certainly target them first. Within those realms of space of which Humans shall form, corruption and theigrited energy will spawn a form of hatred most vile and superficial. Those, skin of soil, will be victims of this hatred but will be of initial innocence. You, Sacred Child Jaszmisia, are in thy image; you are skin of soil, and too shall see the brunt of their demented evil thrown against your person. The Theigriet fears you, Child. The Theigriet fears you for he fears your Originator. The Lord and Theigriet have always been on cross terms, and the attribute of Punishment for grave sins—theigritism namely—are solely His. The Theigriet fears you, Child of night skin, for he fears the Lord, the Keeper of his eventual chamber. The Theigriet shall fear all alike you for that same reason. To their fortune, the efforts of the Others, of the Order, and of any future Alliance under the Order, will work tirelessly to combat this corruption—assuredly from theigrited forces.

    Mihe would then offer the path forward for Jaszmisia and the role he shall play as one of the Sacred Incarnates. To summarize, the lesson lays out a few specific circumstances that shall take place once Jaszmisia heeds this lesson and acts upon his divine duties: those that fall under Deceptuary’s irrational prejudice and hatred and who themselves, as a whole, haven’t committed the same grave sins against their own or others in a similar fashion shall liberate themselves from the oppression and suffering of theigrited hatred and their oppressor shall fall to their own Hubris or to Jaszmisia’s hands directly. Jaszmisia is essentially tasked with bringing those agents of evil who seek to commit these Great Acts of Theigritism to Divine Justice via his Sacred birthright of Divine Punishment itself. Through his divine birthright will Jaszmisia defeat those evil entities, and they shall then be cast directly into Terigath’s Hell where the Azure Flames and Sentinel Angels of Punishment await them. We can see this stated in this passage from “Xykozheiz:”

    It shall be, thus, the goal to mitigate any future corruption on this front. Those, skin of soil, behoove to the innocence of the land and of the realm, have not cast the sin, of brethren or of weak-last relinquishment to the kin of such kind, yet take the brunt of the remainder’s wrath of sin. They, of that captured status, shall be liberated in their indulgence of spiritual conquest. So said the Lord of Punishment, Controller of Hell, and handler of those tainted with sin. Said to the Child, Jaszmisia in youth upon the Azure Lands.

    …the youth Jaszmisia was told the purpose of their journey soon coming, and that Jaszmisia shall lead forth as the taker of many of sinned Nature, and shall join the brethren of the other Children in combating the forces of Deceptuary. We walked on; I watched the Child as he looked solemn at the escaping azure flames from the scarred surface. The lessons coming forth would be on the importance of Jaszmisia’s role and duty once maturity was reached. The work was to begin very soon.

    That is essentially the major components of the lesson and Jaszmisia’s role within it. As for who exactly falls under those that shall liberate themselves from Deceptuary’s oppression, my colleague jzX has penned an analysis of who might be considered under these criteria.

    And so, to wrap the whole lesson up into a short summary: Deceptuary fears Lord Kurakku and all His characteristics, including His Dark complexion, and intends to spread that hatred into the moral realm. Jaszmisia is taught that Deceptuary’s hatred will inflict suffering on all people who look like him in an attempt to cause harm to Jaszmisia himself, and that Jaszmisia’s job is to bring those who commit these grave sins to Divine Justice while the victims of this hatred shall liberate themselves and their oppressors shall fall to their own Hubris as a result.

    With that said, we can truly understand the Hymn attributed to both the Child and to the concept of Divine Punishment itself and Deceptuary’s fear of this attribute. We’ll introduce the Hymn now with all this in mind:

    [Instruction: whispered]

    Ira Caerulea…

    Ira Caerulea…

    Ira Caerulea…

    Ira Divina Caerulea.

    [Instruction: sung with grave intention]

    For those that seek malevolence.

    Plunge thee into the chambers.

    For the apostles of corruption.

    Shall you share the Theigriet’s Fate.

    [Instruction:  rhythmically chanted without melodious infliction]

    Purge thy evil

    Horrid awful sins.

    That is the duty,

    That is solely His.

    Through His progeny,

    A Child so stark.

    A new liberation,

    Freedom in the Dark.

    [Instruction: sung with haunting inspiration]

    Ira Caerulea!

    Ira Caerulea!

    Ira Caerulea!

    Ira Divina Caerulea!

    [Instruction: sung strongly in low and slow ominous tones, foreboding]

    Come, face the Flames…

    Grand sinner, deft of true name.

    Fear the Wrath of Kurakku.

    Shall Divine Punishment ensue.

    [Instruction: sung strongly in medium tones w/ vigor, frantic or chasing]

    Behold, Child Azure.

    Cast thy Father’s final rule.

    Anguish awaits the damned.

    Azure Flames, Hubris’s final land.

    [Instruction: chanted without melodious intent, but whispered]

    Ira Caerulea…

    Ira Caerulea…

    Ira Caerulea…

    Ira Divina Caerulea.

    As you can see from the bracketed instructions, this Hymn is quite dynamic, with each part vocalized with different levels of energy or presentation: Starting from an ominous whispering, leading into a haunting dissonant melody, moving to a determined chant, climaxing in a section of low and medium but ominously powerful choral works, and finally falling back into a whispered but absolute and authoritative chant. This Hymn is structured to replicate the dire feeling of Divine Punishment; it is unpleasant, it is grave, it is ominously cold, but it is a necessary reality for keeping evil chambered and the equilibrium of existence in place. The repeated line, written in Latin, of “Ira Caerulea…Ira Divina Caerulea” denotes the Azure Flames of Lord Kurakku—the Lord’s own separated Wrath turned into a divine tool to administer the Punishment that takes place in Hell. Wrapped up as one, the Hymn is a true spectacle and a grave warning to those that seek a path of evil.

    However, we shall conclude this lesson here. When we meet next, we’ll go down the birth order to the next Sacred Child—that being Sacred Child Niinkisia, Child of Nature. Until then, have a blessed Sacred Day!

    —kyX, jzX