• Greetings from the Xyphokonic Order and Ordinance. Welcome back! We rejoin here for second-to-last installment of the Sacred Lesson Series. In the last entry, we went over Usakisia’s lesson of “Elemental Force” and introduced the Ijoe Chant. Today, we will over the next Sacred Child’s relatively brief lesson in comparison to the others. Today, we will talk about Soylantasia, Child of Reality, and her lesson entitled “Fabric of Reality.” This will be accompanied by a hymn dedicated to her exploration of the celestial beyond and the knowledge of Reality itself. Let us begin.

    The lesson of “Fabric of Reality,” is quite straightforward compared to some more abstract or heavier lessons we’ve gone through. As is true to the nature of both Her Excellency, Lord Caspierre and, by extension, Hayle Taeh the original “celestial seeker,” the Caspierrian Xyphozon is one based in scholarly perception, creativity, adaptiveness, and synthesizing of Realmly Knowledge to better act on management of Reality itself. This lesson follows through with that mindset and essentially explains what Reality is and how we use it in conjunction with Manifestation to perceive all that exists. Hayle Taeh gives a single lecture on these principles which we can witness in this excerpt of “Xykozheiz:”

    Existence is perceived through the attribute of Manifestation. We can see, touch, and be fully within Reality, an Existence, through this attribute. Corporealism and Etherealism are existent through this attribute. Our boundaries, difference forms, stages of existence, all take place through the ability to perceive Reality.

    Realmly Structure hinges on the Existence of Manifestation. What keeps All Things as one yet separate is this force. The Cosmos, too, rely on Realmly Structure to conduct Its role.

    Taeh explains that all things within existence that we perceive are done so through the manifestation of Reality itself. Whether it be the ethereal existence of Xykopsysomi or the corporeal existence of Xyphojinami, what forms the tangible existence of both is the manifestation of Reality itself. The divine attribute of Lord Caspierre creates the structure and properties of existence to be written, so to speak.

    Taeh continues with the lecture by adding that there are forces—namely Deceptuary’s corruption—that seek to disrupt and destroy those realmly structures and cause the collapse of the current reality; she goes on to say that those corrupted beings who lack the full ability to envision and understand Reality through manifestation will seek its destruction. This harkens back to Deceptuary and his inability to see the full picture of both the defunct Divine Thrones but also the existence of the Order and the properties that apply to Xyphojinami. During the era of the Divine Thrones, Deceptuary failed to understand the need for the 10 thrones and believed he would become irrelevant among the other deities and rebelled in hopes of toppling those thrones and becoming the sole god of existence.

    We can see Deceptuary repeating that error as an exiled deity in Gheisialez—a prison crafted by Lord Caspierre specifically to cater to Deceptuary’s fears and gravest of mistakes. From here, Deceptuary actively tries to soil and ruin Xyphojinami through his influences despite not understanding the realm himself. Deceptuary was cast into exile and barred from influencing the elder realm of Xykopsysomi; his previous Divine Throne was ended by Lord Vuetenexzyei as well. This meant he was both locked from manipulating the elder realm but also was not involved in the creation of Xyphojinami, Realm of Mortals.  Through this circumstance, Deceptuary and all who follow him under his influences lack the ability to perceive full Reality and seek to destroy that which they do not understand. Taeh edits this understanding down to two short lines here:

    There are forces that threaten to break down those barriers of Realmly Structure, plunging all into chaos. The removal of the bones will collapse all of Reality for the goal of total oblivion.

    Only in the eyes of those lacking the ability to perceive the full sense of Reality through Manifestation, would they seek such a despairing state.

    Taeh then moves the focus of her carefully curated lecture to how Manifestation affects people on a more personal level. She explains that through the Manifestation of Reality—the structure and properties that create existence itself—we are able to perceive that existence before us and of us. We can perceive our own existence and our own realms and worlds through this Manifestation. Taeh then warns that we can also fall into existential collapse via corruption if we don’t manage ourselves. Taeh belabors the point that Reality’s structure depends on our ability to manifest the power to perceive it as all of existence depends on the ability to know of and to perceive said existence. Corruption aims to destroy that perception, and it is the job of the new “celestial seeker,” that being Soylantasia herself, to watch for those fissures in Reality and to mend and reform those properties. We, too, can watch for such breaks in our own perceptions and keep true to the Realmly Truths we understand and care for. Doing so will prevent Deceptuary, the “deceiver,” from spoiling our perceptions and our reality. We see this final part synthesized in Taeh’s finishing recount:

    In localized case, the Self is dependent on Manifestation to perceive its own existence. The Self is structured much the same. A personal Reality. Without care, and with malevolent intent, the Realmly Structure of the Self will collapse in same fashion. Devastation is assured.

    It is then that, which understanding of our own Reality, as Beings of Existence, Spirits, Mortals, Nature, that we manage these Realmly Structures and perceive ourselves and that around is, All Things, with care and consideration. Without this attribute, we perceive and see nothing, experience nothing, and are nothing. Reality Collapses and there is nothing.

    And that is the entire lesson, much shorter but perhaps a bit more conceptual than others. The lesson is simple: Existence relies on our ability to Manifest and perceive Reality, Deceptuary seeks to break that perception and plunge us into oblivion, and it is the job of both the Child of Reality but all who follow the Order to prevent those breaks in Reality itself through seeking and utilizing all the other Sacred Lessons and the Realmly Truths they offer to defeat Deceptuary’s attempts to break reality.

    With the lesson understood, we can now move to the hymn attributed to it. This hymn, named after the Child of Reality aptly, tell somewhat of a story along with an almost scientific call to understanding. The hymn gives homage to Lord Caspierre and Taeh without invoking either of their names directly, and essentially prompts Soylantasia, the scholarly and adaptive Child, to seek the celestial beyond and understand the Fabric of Reality so that she shall know when to act upon mending it and reforming lost properties destroyed by corruption. Let’s take a look at the hymn, shall we?

    Ah~

    Sight of Light…

    Sight of Light..

    Sight of Light.

    Sight of Light!

    Vision,

    True name of Sight.

    Become the eternal light.

    Shadow, cast from beyond.

    Silhouettes of the Gods.

    Cast from the abyss.

    New realms of divinity.

    Celestial seekers sleep in bliss.

    Manifest true Reality.

    (Abstract, Deconstruct, Reform, and Adorn)

    Excellency, passed through cosmic blood.

    Handle the threads of Reality’s sewn weave.

    Cradle the truth of Existence.

    -And bring peace through tranquility.

    You shall now embark.

    Hold the Light and the Dark.

    You shall now manifest.

    Child of Reality, seek beyond.

    Take the stars, transformed into threads.

    Woven through the Cosmos.

    Webs of otherworldly dreams shall ensnare.

    Envision, extraordinary Reality.

    Young celestial seeker.

    So told from your guide, privy to the elder dream.

    And let the Celestial Mother bestow Her excellence.

    This hymn is very spiritual and almost mind-altering in its breadth of musicality and airiness. Meant to be sung entirely by a choir of adult women, the hymn shall follow a unique shifting in time signatures and choral flow, and idealistically would be accompanied by instruments such as chimes, bells, and glass harmonicas. The hymn is meant to invoke feelings of cosmic wonder and curiosity—a subtle and technical awakening of the mind to look up at the stars and to seek celestial revelations. As followed in the footsteps of the original Celestial Seeker Taeh, we are invited through this ethereal choir to also look at the celestial beyond and appreciate the excellency of Reality manifest.

    We shall conclude here for today. In our final installment, we shall go over the 9th and final of the Sacred Children and their lesson—that being Sacred Child Ahnvouyosia, Child of Love. Until then, have a blessed Sacred Day!

    —kyX, whX

  • {Incantation of Ignition}

    Hold!

    Seek Energy!

    Move forth and bring Synergy!

    Go!

    Our Posterity!

    Cast the Soul into Reality!

    (Ijoe! Ijoe! Ijoe! Ijoe! Ijoe! Ijoe!)

    {Incantation of Motion/Action}

    Sing!~

    Cast thy Song!

    A new divine Order atop ruins of war!

    Cast thy spirit!

    Rejoice in the glory of Awe!~

    Greetings from the Xyphokonic Order and Ordinance. Welcome back for our next part in the Sacred Lesson series. Last time, we covered the Sacred Lesson pertaining to Niinkisia, Child of Nature. Today, we move towards the 7th Sacred Child—that being Usakisia, Child of Elements—and his Sacred Lesson known as “Elemental Force.” As you may have noticed, we started with a hymn at the start of the Commentary before even greeting you back; this is intentional, as the hymn chosen for this Commentary is one of immediate action, so we found it fitting to start off with the hymn itself. Before beginning with the lesson, we must explain what this particular hymn or incarnation is in relation to the lesson thereafter.

    The Hymn at the start of the Commentary is known as the “Ijoe Chant” and isn’t specifically attributed to Usakisia or necessarily the Caishon Xyphozon. In fact, the Child of Elements does not have a specific or Ordinance-established hymn, for his lesson is all about action and not about ceremony. The way in which a Xyphoite should approach Usakisia’s presence is through taking action rather than through solely prayers or ceremony.

    Instead, the Ijoe Chant is a powerful application of lyrical Sanghjei used to initiate and carry Xyphoist group actions.  And although the Ijoe Chant isn’t solely attributed to the Caishon Xyphozon, the name “Ijoe” itself is a direct relation Hayle Knie—specifically the legendary sword said to be wielded by him. For scriptural context, the Ijoe—meaning “Motion” or “Sword of Motion”­—refers to the name of one of two legendary  swords crafted directly by the hands of Lord Caishor in the earliest of times, with the Ijoe being given to Knie to wield. Hence, this hymn named after said sword is a song of action or motion. This information will be better explained once we finalize our publication of the “Chronicles of Xyphos” book giving more supplementary information about the eons prior to our immediate Cosmic Struggle not covered in the condensed writing of “Xykozheiz.”

    The Ijoe Chant can have many uses, but it is most often used to initiate some form of greater group action that takes tangible effect on the mitigation of suffering. Alternatively, the Ijoe Chant can be used as a form of dynamic and lyrical protest in cases where higher Echelons of Action have been declared and the need for open protest presents itself, similar to the Haka chant we covered before in an earlier Commentary. The Ijoe Chant is always loud, dynamic, rhythmic, and persistent. At the end of the Commentary, I will repost the Ijoe Chant with proper instructions as to how it’s conducted, but until then let us move on with the lesson itself.

    The Sacred Lesson of “Elemental Force,” if not apparent yet, is one focused on taking action. Fittingly brief in its writing, the lesson begins with Knie’s recount of his time training Sacred Child Usakisia in the ways of Sanghjei and mastery over action. Knie starts off by explaining that the powers of Spiritual Elements are the building blocks of Sanghjei—originating from Lord Caishor and given to Usakisia to use. Knie remarks how this power is impressive but highly destructive without proper training and control. Knie offhandedly states that even with Wisdom of the proper incantation or the knowledge of the potential danger, all of that knowledge will not prevent ruin if mastery of the actual practice itself isn’t achieved. We see Knie state this here in this passage from “Xykozheiz:”

    These constructs, the base and root of all power, a fearsome and inspiring force, fall to His hands and to his descendant. Impressive, though without handle and control, even Wisdom cannot contain such power.

    What you hold in your hand, Child, is the core of force. The embodiment of Spirituality, the source of the weight which we can throw. You have, at your fingers, the attribute of Elemental Force. You can summon what need be summoned. Flames of malice, cooling waters of peace, raging winds, earthly grasp, blinding thunder. What you possess is the power to crack and break, to destroy and demolish, to guard and protect, to personify your Spirituality.

    Wisdom is not enough. As I know that you are aware. Knowing the name and the incantation is not control. One can catch a beast and not know how to tame. Incompetence is the key factor in malcontent.

    Knie then makes a sharp inference of Usakisia himself before starting the training—remarking that the Child is stoic outwardly but is incredibly impatient and perhaps even brash inwardly. Knie acknowledges that the very act of summoning Sanghjei is an immediate and on-demand action, and finally concludes that in spite of Usakisia’s impatience, Knie will be able to forge the Child into a perfect master and warrior for the Order.

    Knie states that once the training begins, there will be little conversation and mostly action. Here, we hit the crux of the Lesson; not only is mastery over practice important, but the focus must be on taking said action and not solely talking about it. There are times for each part, as Xyphoist Worship is defined as Prayer + Practice combined. However, when the time for action is upon us, we must take it and take motion without reservation. Knie says this in this final portion of his brief lecture:

    You are as stoic as I had thought you would be. Yet, I can sense your anticipation. I can sense your impatience. As you will always be, even the Nature of summoning Elements is one of immediate demand, you embody that so well. But with your lack of patience and perhaps more scriptural base, you will own in spectacular control and competence. I see to it that you will master this and all Elemental Force with fortitude.

    In these lessons, we will focus less on words and more on practice, as both you and I are ones with little need to converse. Balance is key, internal control is key, before end you shall be able to walk on the thinnest of string, the balance the worlds at your finger, and to cause devastation with the snap of a finger. In precision, in great impact, and with no hesitation. There is purpose of this, Child. A warrior must know their blade and perhaps even be cut by it once to truly understand the power it wields. Stay attentive, and we shall be through with this. You shall obtain the control as a warrior must.

    Essentially, the lesson re-establishes that Prayer accompanied by Practice is proper Xyphoist Worship. We can manifest such actions by the Ordinances various goals of conducting humanitarian efforts, advocacy, environmental focuses, and offering and teaching the Philosophy in this space for anyone who wishes to seek this information to obtain.

    With that said, and with my college Rux’s contribution to this lesson completed, I shall now conduct the liturgical portion of the Ijoe Chant from the start of the Commentary. I will repost the same lyrics above but with the proper instructions placed on each part and will accompany that with background information and analysis afterwards. First, the hymn with instructions:

    {Incantation of Ignition}

    [Instruction: without Melody, chanted strongly, repeated throughout entire hymn by deeper voices]

    Hold!

    Seek Energy!

    Move forth and bring Synergy!

    Go!

    Our Posterity!

    Cast the Soul into Reality!

    {Ijoe! Movement}

    (Ijoe! Ijoe! Ijoe! Ijoe! Ijoe! Ijoe!)

    [Instruction: chanted excitedly with slight melodic tints, repeated from here onward, done by predominately younger voices]

    {Incantation of Motion/Action}

    [Instruction: choral section, sung with strong and dynamic melody, song by predominately higher adult voices]

    Sing!~

    Cast thy Song!

    A new divine Order atop ruins of war!

    Cast thy spirit!

    Rejoice in the glory of Awe!~

    This is a dynamic piece with several continuous or moving parts. I will break down each section and what is to be conducted during their parts first before explaining the group action that all participants shall do.

    Incantation of Ignition: A strong, rhythmic and rugged chant done predominately by lower adult voices—mainly male voices but not exclusively. This section has no melody whatsoever and acts as the foundation for the Ijoe Chant; it is repeated throughout the remainder of the séance and naturally “starts” the entire hymn.

    “Ijoe Movement:” The parenthetical portion of younger voices, namely the “posterity” mentioned in the hymn itself, that constantly and excitedly chants “Ijoe!” It has a slight melodic inclining scale to it; every Ijoe “goes up” a note until the third Ijoe and then returns to the bottom of the scale and repeats. This section starts along with the choral-orientated Incantation of Motion/Action and continues until the end of that portion.

    Incantation of Motion/Action: An entirely choral and dynamic portion of the hymn sung predominately by higher adult voices with a few very low bass, baritone, and tenor portions to conduct harmonies—often dissonant in nature. The notes in this section tend to be very long and require a lot of air to perform, so breathing technique is important in this section.

    Full Group Actions: The Ijoe Chant, as established, is anything but a stationary or regal performance; it is dynamic. Throughout the entire process, the bodies of participants are in motion—with rhythmic movements and dances that match the high energy of the séance itself. The Ijoe Chant starts with the Incantation of Ignition; first, the strong voices simply chant in without any accompaniment, with their rugged chants bellowing in the otherwise silence around them like a call or “ignition” of an engine. After the first round of the Ignition chant, conga and bongo drums are to erupt in the central rhythm of the entire hymn itself as the Ignition Incantation goes on. During this portion, the entire group is dancing and marching in place, not yet fully in motion.

    Once action is needed, the séance shall move into “motion” phase in which the Ijoe chants and choral Incantation of Motion/Action both start at once. Once this portion starts, the entire group shall begin rhythmically marching and dancing in lines towards usually a single focal point. At that point, the group shall march into a giant group circle or “pit” of participants and continue the hymn there. During this motion phase, all participants shall now clap thunderously on the fourth count of the drum beats. This will continue until the action is deemed completed. Usually this entire séance is used to usher in some grander or immediate action or, more likely, a form of protest; this may also be part of general liturgical practices during Lord Caishor’s Period of Watching during Sacred Day group prayers. The entire display is meant to be dynamic, loud, powerful, energetic, and exhausting and meant to replicate the sheer raw power of Elemental Force. My college Rux explains it to be similar to “rolling thunder” and says that the entire séance should have the same tenacity and energy of thunder.

    Nevertheless, this shall conclude this entry on Usakisia’s lesson and the explanation of the Ijoe Chant. When we meet here again for our next installment of this Sacred Lesson Series, we will cover the next in the birth order of the Children, that being Soylantasia, Child of Reality. Until then, have a blessed Sacred Day!

    —kyX, ruX

  • Greetings from the Xyphokonic Order and Ordinance. Welcome back to this space for our next installment in the Sacred Lesson Series. In our last Commentary, we went over Jaszmisia and his lesson of the “Skin of Dark Soil.” Today, we move towards lesson attributed to Sacred Child Niinkisia, Child of Nature, and his lesson entitled “Natural Rebirth.” Naturally, this comes with a Hymn to accompany it. We shall open this Commentary with said hymn:

    Breathe,

    Nature’s Sacred Tree.

    We shall heed your dynasty.

    Allow us to breath.

    Bear new fruit, stem adorned in thorns.

    (Praise the Lord, Praise Her work, Old Sacred Tree)

    Ancient roots, soil of true seeds.

    Let them lay and roost.

    Her Fruit, Divine Child…nurtured so sweet.

    Prick the thorn, but be warned of what Nkes shall teach.

    Creating root, Destroying root, Reincarnated in sleep.

    Nature stirs and relieves.

    Rebirth thy roots, regain youth and verdant green.

    Praise the Child, Her Reincarnated Root.

    The essence of this lesson centers around the young and inquisitive Niinkisia, who is accompanied by Hayle Nkes as the two walk through the infinite verdant forests and meadows of Evernleth—bathed in an ethereal and warm sunlight. The Child Niinkisia, described by Nkes as dull-eyed child but with a hidden deep perception behind those eyes, gently inspects a vibrant and beautiful flower that is adorned with sharp thorns; he then proceeds to ask Nkes about the nature of the flower and why it has such sharp thorns around it. The two have a conversation of the nature of the thorns in this excerpt from “Xykozheiz:”

    Oh, so delicate of this touch, from which the Child carefully admired the flower’s bright color. Such skin would match in velvet the fragility of the flower’s petals. Dulled eyes in total awe and fascination.

    Touch lightly, as you perhaps already know well enough. The flower is not a mechanism of your desire, Child.

    Nkes, is it not? If so, for what purpose would the flower be so enticing if not for my eyes?

    Neither to you nor to any soon to be sent. In the next Reality, they all will be at the Mercy of the creating force of Nature. It would be wise not to forget the force was in design of its own Cosmic flow and left to its own mechanisms itself. The corporeal Nature supersedes the desire of the inhabitants on it.

    Nkes warns the whimsical Niinkisia, who is currently inspecting the flower, that such a beautiful work of nature is not crafted for his personal pleasure, and that Niinkisia should handle the flower with care. Niinkisia questions why should a beautiful flower—pleasing to the eyes—would also not be something to be picked and admired closer. Nkes begins her explanation of Lord Nakndes’s power over Nature and the “Creating force” of Nature itself by stating that Nature’s purpose is to facilitate the flow of excess spiritual forces and creates the rules for which existence must live by; this is particularly true of those mortals that would eventually populate Xyphojinami.  Nkes explains that the mortal vessel is a creation of Nature for the soul to inhabit, and that the rules of what effects that vessel are determined by the very force that created it—nature itself.

    Essentially, Nkes is saying that because the corporeal vessel and the environment its exists in are all created by natural force, the vessel and the soul within it are subject to the rules and power of Nature itself.

    Niinkisia, while dull-eyed, demonstrates his hidden perceptive nature by immediately questioning if there shall be times where mortals would try to challenge this power of Nature for personal conquest or gain, and wonders what the end result would be. Would Nature fall to the conquest and be ruined entirely?

    Nkes commends Niinkisia for his pointed question, and then goes to explain that corruption seeks to conquer or destroy Nature and explains that clashes between mortals and Nature are all but assured seeing as corruption aims to meddle with natural force. We can see this conversation here:

    Would that mean, then, that there would be a Time where these two would clash?

    The Child was perceptive, behind dull eyes was something much deeper. A depth of thought not immediately apparent in the lofty gaze of the Child.

    And what, then, would come of the clash? Would Nature fall to the inhabitants and be defiled?

    Quite perceptive, Child. So, you see the risk that corruption would have in a clash of Nature and Mortal. Yet you have less to worry on this. Nature is, as structured, the medium from which the mortal stands on. Their vessels are of Nature, their world is of Nature, and so shall all things following.

    Niinkisia questions further, asking what this clash would look like and how it would end for those that try to conquer or destroy Nature. Nkes leads Niinkisia in by instructing him to observe the flower once more—pointing to the thorns on the stem and by looking at the flower itself and its ability to pollinate and recreate itself through such natural mechanisms. Nkes, without directly saying so, indicates that the flower can defend itself from harm and reproduce more flowers regardless, and that Nature itself shall always be able to inflict retribution against Hubris and naturally rebirth itself even in the face of mortal adversity.

    Niinkisia then asks if mortals are able to overpower those natural forces, and Nkes responds by saying mortals cannot overpower the force that created them in the first place unless the Lords themselves changed that, which was not the case as Natural Force is an attribute that functions off the idea of unintended development—it works for the purpose of rebirthing Nature and cannot be conquered by anything that is spawned by it. We can see this portion of the conversation here in this passage:

    And so?

    And so the clash could be fierce, and could end in ruin for the mortal, but not for Nature. Look at the flower of which you touch. Look at the stem, witness the thorns. Look at the center, the flower can Recreate more of itself via Natural Rebirth.

    And the mortal cannot?

    Not without facilitation from Cosmic intervention. Nature creates the vessel, Natural Rebirth will always Recreate the Nature from which vessels spawn, single vessels cannot and shall never outlast the Natural Root for which they spawn from.

    It is then that we come to the most poignant part of this lengthy discussion between Nkes and Niinkisia. Niinkisia, processing Nkes’s words, immediately realizes that such attempts against Nature by mortals would result in some form of great consequence, and hastily asks what would happen to mortals if they attempt to conquer Nature.

    Nkes gives her most direct and coldest response of the conversation—delivering the Realmly Truth as if it were a chilling winter’s breeze that has frozen the flower to its roots. Nkes curtly says that mortals that try to conquer Nature shall be subsequently eradicated by Nature; the statement prompts Niinkisia to bring his long gaze away from the flower and immediate to Nkes—entirely silent and waiting for further elaboration.

    Nkes continues her explanation by saying that those mortals that don’t respect the creating force shall be met with the trifling and rotting forces of Nature; they will see their Reincarnation denied, their beings scattered, and a total ceasing of their future incarnations. Essentially, Nkes is explaining the extinction factor of Nature: those organisms that are ill-fit to survive by way of their own overzealous or overindulgence will essentially waste themselves out of existence from lack of control and impulse. Much like a population overusing a vital resource and then dying out because of that overuse, Nature will deny them a future reincarnation—the ability to successfully reproduce and maintain their population—due to their own Hubris.

    Niinkisia finally speaks, fretfully inferring that there is likely to be many clashes between Mortal and Nature that will result in great consequences for mortal-kind. Nkes simply states that only the Lords shall know if that shall be the case, and that Niinkisia’s entire duty as the Child of Nature is to help prevent such cases from happening in the first place. We can see this poignant part of the lesson here:

    What would occur to the mortal?

    Eradication.

    The Child’s long gaze met mine.

    The chance of Reincarnation denied, the Self scattered, the vessel consumed by Nature. There would be no Rebirth, it would cease. Nature is a force beyond the power of mortal, and that they shall abide to the rules of it as it creates their only means of containing true form.

    I suspect this will be one day demonstrated in spectacular form.

    The possibility is only something the Lords would see, yet your purpose is to help prevent such a conflict from uprising. As I am here to provide you with the keys to this task.

    We then come to a very moving part of the exchange between Nkes and Niinkisia. Upon being told that his duty as the Child of Nature was to prevent the disturbance to Nature, Niinkisia once again turns his attention to the thorn-covered flower. Handling it carefully, Niinkisia places his finger at the tip of one of the thorns and proceeds to purposely prick himself with it, wincing quietly from the sharp pain of the thorn’s hidden wrath.

    Nkes, bemused by the sudden boldness of this outwardly whimsical and soft-spoken Child, infers Niinkisia’s intent and asks somewhat cheekily if the Child was testing the premise of the trifling force of Nature on purpose—seemingly concluding that Niinkisia was trying to understand what the power of Nature’s retribution felt like for himself.

    Niinkisia quietly nods in response to Nkes short inquiry, and then speaks candidly about his action by stating that he, as Nkes quietly suspected, wanted to know what Nature’s wrath felt like. By his own assessment, Niinkisia concludes that by knowing what it feels like to see Nature’s retribution, only then shall he know when Nature is being trifled with and when to act upon his Sacred Duty to intervene and preserve it. Nkes concludes by once again commending the Child’s bountiful perception—praising Lord Nakndes’s fruitful excellence in the form of Her remarkable and beautiful Child. We can witness this moment here in this passage:

    The Child moved gaze towards the flower yet again, this time without touching the petals and instead poking hands with the thorns.

    Are you testing this premise?

    Nodding.

    I want to feel the sting of Nature’s wrath first. I want to understand why the beauty of the flower is shielded by the thorn. That is how I will know when to intervene.

    Excellence is fruitful from Her, isn’t it? You are remarkable, let Nature show its own remarkable strength and beauty, Child.

    And that concludes the lesson. To summarize, the Sacred Lesson of “Natural Rebirth,” as the name suggests, essentially revolves around the consequence for all that try to challenge or conquer Nature. Nature, as the Creating Force, establishes our vessels and the rules that apply to them, and any attempts to conquer the force that creates our vessels, usually out of Hubris, will result in our own eradication or extinction. The lesson goes on to show that Niinkisia purposely pricks himself with the thorn to learn what such an event would feel like. In doing so, he will know when to intervene and preserve that natural force—doing so to prevent existential ruin as Nature shall inflict its wrath and reincarnate itself regardless.

    With that said, we can further understand that Hymn placed at the start of this Commentary as we often sing it to remind ourselves of the awesome and fearsome power of the very Nature we spawn under. With that Hymn in mind, we shall conclude here for today. In our next installment, we’ll go over the next in the birth order, that being Usakisia, Child of Elements. Until then, have a blessed Sacred Day.

    —kyX, lnX